Poetry 6 Publications in Random Order

the way you look at yourself in a store window. a small dish by night. how do you steady a table? not saying “slow fuck” or “strong loving” but this doesn’t mean you feel things less than the others do. any decision is an aesthetic act and that’s this book’s subject. photographs, short stories, tags and annotations by @_VRDT_ . living and not trying to make everything look like something.

COSAS QUE PASAN ME HAN PASADO TE HAN PASADO ESTÁN PASANDO son cosas que pasan, me han pasado, te han pasado y están pasando. No, perdón, las que están pasando las sacaré en el próximo fanzine. Cosas contadas a través de poesía, relato corto, conversaciones de cabina y listas de cosas, utilizando la narración de la manera más experimental. También incluye material de archivo. El último testimonio sucedió y se escribió el mismo día en que se mandó a imprenta. Añadiendo prosa, pero todo lo que aparece en este libro ha sido sufrido, visto u oído, ocurriendo en ese plano que consideramos realidad ?✨?

“Son fantasías evaporadas o permanentes.
Son la inspiración y el carácter.
Son amigas inocentes.
Son amores imposibles.
Son hijas de Zeus y Mnemosyne.
Están ahí. Entre nosotros, todos los días.”

—

“Elles sont fantasme évaporé ou permanent.
Elles sont inspiration et caractère.
Elles sont des amies innocentes.
Elles sont des amours impossibles.
Elles sont filles de Zeus et Mnémosyne.
Elles sont là. Parmi nous, every single day.”

Everyday Muses, erotic parentheses and lovers from everyday life is a poetry book which tells erotically, sensual and contemporary, the image of our relationships with others, and focus especially on the look and women’s admiration for other women. This book, representative of the encounter of our two worlds, mixes poetry, eroticism and imagination.

Fascinated since childhood by snails, and the way they challenge ideas about sexuality in today’s society, Rosza threw herself into writing, merging two of her biggest interests. Questioning questions, her stylish style shouts and simultaneously whispers the bim bam bam of the streets in the cities of this world, that always runs a little too fast. Thrown around, tossed between bodies and lines in the metro, Rosza is as interested in words as in the absence of them.

Do:mi:no is a co-disciplinary collective that strives to rethink and question the interactions between artistic and musical fields through graphic and musical support, through encounters, collaborative events and crossed glances.

Anaïs is a graphic designer – illustrator with an approach situated at the crossroads of art and design. She plays on double-entendres and on the interpretation of the observer/reader. Her minimalist line, generally black and white, is sometimes punctuated by a few coloured notes, oscillating between a naive-poetic aesthetic and a sometimes disturbing look.”

Cartas al Director es una publicación que recopila el trabajo de Tamara Bastías y Ricardo Altmann, quienes utilizando la borradura y el bloqueo de texto transforman en poemas las cartas de opinión de los lectores que publica el conservador medio impreso de derecha, El Mercurio (Chile)

This publication compiles the work of Tamara Bastías and Ricardo Altmann, who using erasure and blocking of text transform into poems the readers’ opinion letters published by the right-wing conservative newspaper El Mercurio (Chile).

This publication is an exercise on listening, an expansion to inner and outer spaces guided by Daphne Xanthopoulou.

Daphne Xanthopoulou is a musician based in Barcelona, Spain. She has published her music in Sonospace and Crystal Mine net and cassette labels and some writing in A A) GLIMPSE) OF), Golfo Magazine, Teflon and Thraca. Together with Blazej Kotowski they run Cachichi, a collective that focuses on new music and its intersection with contemporary art and thought.